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SOME EARLY HISTORY
    The Pennypack Park Festival was a ‘Yes We Can’ grassroots project before ‘Yes We Can’ became a successful political battle cry. It began as an idea hatched in the imagination of Edward Kelly and Louis Farinella and other activist citizens of Northeast Philadelphia.  Kelly led the grassroots effort to build the existing bandshell in the 1970s in Pennypack Park near the intersection of Rhawn Street and Cresco Avenue. “If we build it, they will come,“ said Kelly. This first summer series was  a free weekly evening musical event running from late Spring to the end of August.  It featured well known Big Band acts such as the Glenn Miller Orchestra, the Tommy Dorsey Orchestra, and various local stringbands.
        The shows regularly attracted large enthusiastic crowds and was, from the mid 1970s to the early 1990s, a great success; Northeast Philadelphia’s answer to the Mann Center. But at this point, in the early 1990s, the original founders could no longer handle the  administrative and logistical tasks of running the festival every year. Consequently, despite the obvious need, it ceased to exist.. 

REVIVAL EFFORTS                                                                    Return to Top
        In the Winter of 2000, a new group of community activists from almost all walks of life, including the Police Department, the Water Department and the school district. They met with founder Ed Kelly at the Country Club Diner on Cottman Avenue, to put together a plan for a new Summer music festival that would use the existing band shell.
       The original non-profit corporation (P.P.F., Inc.) remained in good standing with the Corporate Bureau in Harrisburg and had maintained its Section 501 © (3) non-profit status with the I.R.S.   By mid-Summer of 2001, the corporation was officially renamed the Pennypack Park Festival. The  City of Philadelphia, led by City Managing Director Ed Martz, had completely restored the abandoned band shell. The first year, the new festival was able to put on three small shows featured Jazz, Latin, and Big Band music.        
        The current board includes President Glenn McCurdy, a life-long community activist and communications professional;   MC Steve Hartzel, an anti-drug community outreach specialist with the Philadelphia Police; Norman Jadczak, a water department executive who handles both production duties and much of the scheduling for the concerts; treasurer Joseph Klinke, an accounting executive; Glenn Devitt, an executive with the Philadelphia School District; Liz Harbison and Jerry Lathrop, executives with Deer Meadows; and the unstoppable founder of it all, Edward Kelly who has much to long a resume to fit on these pages.
   
YOUTH/SCHOOLS  PARTICIPATION                                            Return to Top
       Central to the Festival’s ongoing mission to promote and develop the musical and other performing arts is a historic commitment to youth participation. Early on,  Ed Kelly took a delegation from the Festival to meet with School District officials where a long-term partnership was discussed. The Festival schedules at least two events in late May devoted to showcasing the excellent talent being developed in our area high school programs. In the future the Festival hopes to offer internships in technical and administrative areas such as: stage management, sound and lighting equipment management, promotion and festival administration, etc.  Third, the Festival encourages students to participate as community service volunteers for general event duties such as: set-up, clean-up, and customer service.pedestrian. At present, bike cadets from the Police Academy and their commanding officer are an important part of security at every concert..

SCHOLARSHIPS.                                                                    Return to Top
Beginning in 2004 the festival created both scholarship support and a special place on the schedule for local school music programs.  When  fundraising permits, the festival scholarship fund will endow a series of $500.00 scholarships to these local programs. 

FUNDRAISING EFFORTS.
     Currently the Festival consistently seeks grant funding from public and private foundations, government sources and the private sector.  Donations from our loyal audiences continue to be a critical source of support as we seek to accomplish some significant goals.   We are also looking eventually to increase the number of scholarships we can award.  In addition, the Festival is seeking future public/private partnerships in a variety of areas including enhanced lighting at the Festival site and suitable restroom and changing facilities.        

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